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Results for category "Blues Lesson"

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King Snake Blues

The kingsnake is thus named because even though it’s not venomous, it may eat poisonous snakes including copperheads, rattlesnakes, and coral snakes without bad effect.

Venomous snakes are located by the kingsnake. A kingsnake will bite on coil and a rattlesnake around it, swallowing it whole and constricting it. The kingsnake is near the highest part, although benign to people. Adults grow to eight and between thirty – and so are usually chocolate with white or black, brown -to-yellowish groups.

Benin, West Africa practice the African faith Vodun, which contains in Dahomey’s mythology an enormous snake’s it (Fon) people named Dan that supports the universe with 3500 coils below and helped create it.

Scarlet Kingsnake

A Journey Of Blues Genres With Johnny Winter

Johnny Winter’s much-expected final record, Step Back, crosses various blues music genres that are distinct is a retrospective compilation of blues tunes mostly from the 50s-60s. These artists would pay court in what would be his last record.

The record is packed with performances masterfully and distinctively fabricated with longtime bandmate Paul Nelson and producer in the helm. Each tune is meticulously complemented by Nelson together with the artist chosen. Numerous blues music genres are expressed, for instance, “Where Can You Be” is an effort with Johnny Winter and Billy Gibbons and signifies a saucy Texas style blues tune evocative of ZZ Top. Step Back isn’t just a look in the music that affected Winter but in addition a re-mastered snap shot of the blues music genres that are different in the 50s-60s.

From the gate running is Winter’s performance of “Unchain My Heart.” The tune bursts through the earbuds having a punchy horn section (Blues Brothers Horns) as well as the sweet vocals. Winter’s soulful, bluesy, smoky voice coupled with competitive and extreme guitar licks on tops off the melody that is catchy.

“Killing Floor,” along with another tune in the record, “Who Do You Love,” presents the chemistry between the group members that has been perfected through years of touring and playing together.

The guitar centric tune breaks out into a guitar solo which Winter followed with a Bonamassa solo that’s ensured to lift the hair in your back.

How can you top “Sweet Sixteen?” With Winter’s solo performance of Son House’s “Death Letter.” The listeners are taken by the distinguishing hollow guitar sound fused with Winter’s soulful and enthusiastic voice . The tune is really accurate to the original Delta blues sound that Son House will be stunned.

The powerful beat rockabilly design song showcases yet another example of our rich blues tradition.